Making my
favorite salad with farro perlato
(arugula and mint, summer tomatoes, and a tiny bit of smoked cherrywood salt—the
unorthodox sidetrip mine), I travel back to Lucca, two years ago in
October. There, they cook farro with
beans in soup most famously, the composer Puccini among them. And I've just recently sent a character off
on the ferry boat Manon, named for
Puccini's heroine, in search of her wayward and unrepentant mother.
Most of
all, oddly, I like to think of the other composers we found there in Lucca— Catalani’s home just
across the narrow side street from the terrace of our b&b; Puccini’s just
three or four blocks away; and on our Sunday morning prowl behind the albergo
to find the church with bits of Roman arch, finding an abandoned cloister and
the house of Luporini. Not
Boccherini’s, though I knew that he was born in Lucca too (and have since
learned that he is buried there). All of them writing
lovely masses, full of grace and of humanity.
Messa di Gloria; canzone.
We’ve
since listened to Luporini’s mass, which we marvel is so verismo; and the
verismo mass of another Luccan, Landi.
We found sacks of dried beans (for Luccan soup with
farro) in Il Antica Bottega di Prospero (a name I love, too, recalling the
magic of Shakespeare's magician).
An hour we wouldn’t have had except for the time change, before catching
the train back to Pisa.
I'm in need of that particular time-travel today, feeling
desperately sad about the ugly air, brown and unclean, that was the most conspicuous
thing about today (aside from a great orchestra of birds first thing this
morning). Like my father, who wrote "He
wanted to return to days before fear and start all over again to understand the
shape of the world and things men shared in common," I want to travel back
to days before global warming and threats to every creature that we love. To start over again. To give things back their grace, like the
masses.
And like the rest of that journey. The
green shutters I loved; the walled garden in Pisa with ancient cat (blithe
spirit) and orange tree where we found them. The oranges made into
delicious marmalade by the innkeeper, using his mother's and grandmother's
recipe. His generosity to strangers. The loving welcome of the cat too in
the dark of the October garden near the Arno, between convent and blue palazzo
with its quiet tribe of long distinct Modigliani faces visited the next
morning.
Thus
I travel, backwards and forwards, in recipes and tastes and aromas and the
music that calls a lovelier world forth.
image: Christie B. Cochrell: Puccini's Organ
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