I am playing ideas
for my next Mallorcan mystery story, and considering the various colorful
threads of Carthaginian archaeology (connected with the myth of Dido and
Aeneas), pranic or reiki healing, the Mallorcan “cloth of tongues,” school
bullying, a letter carrier, family names and the Inquisition, a sunken
freighter, amateur astronomy, the wife of a Senegalese drummer. It would be so much easier if I could
think in simple plots instead of intriguing objects and intellectual
pursuits—things like “x loves y but so does z, so x throws z into an old stone
well and then tries to cover her tracks.” Not that the two are incompatible, but I suspect I’d get a lot more
written if I’d just come at things from the other side, instead of getting
fascinated by the details of the extraneous matter—especially when I know
nothing about any of that, and need to research endlessly. I should just set a story in an office
cubicle in northern California at the end of January, and have done with it! (Ah, but where would the mystery be in
that?)
image: tela de lenguas, Paul Coleshill
ah. but therein would lie the challenge!
ReplyDeletehe could live the mystery all in his head while dwelling in the grey cubicle.
man in the grey flannel cubicle. lol.
A good idea, Tammy! I especially like the title!
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