Tuesday, February 14, 2012
Places I Would Rather Be
Helmsley Castle, on the North York Moors—reminding me of the defiant picnic the four musketeers had on the enemy's battlements in the fun Richard Lester film, and of the poet/television writer in John Cheever's wonderful "The Golden Age" drinking martinis in the castle keep somewhere on the seaside in Italy.
image: Christie B. Cochrell, Helmsley from Below
Monday, February 13, 2012
Thought for the Day
The minute you or anybody else knows what you are you are not it, you are what you or anybody else knows you are and as everything in living is made up of finding out what you are it is extraordinarily difficult really not to know what you are and yet to be that thing.
—Gertrude Stein
image: Christie B. Cochrell, Fountain, Dusk, Mission at Oceanside
Sunday, February 12, 2012
Tracks
A confusion of tracks in the sand. I should perhaps wax philosophical, or lyrical, but will instead let them speak for themselves.
I feel a bit wordless today, as if Jane Hirshfield's moth has eaten everything I might have had to say.
A Moth Ate Words
A moth ate words—
I thought it strange to hear,
and a wonder of fate,
that a worm in darkness
can thieve a man’s fine riddle,
swallow his song,
sip eloquence and feast on its foundation,
And yet that stealthy guest
who dines on stolen words will leave no wiser.
—Jane Hirshfield
image: Christie B. Cochrell, Bird Tracks
Friday, February 10, 2012
Color of the Day
The trick is to name it.
Persimmon? Pumpkin? Tangelo? Deep Carrot Orange?
Or some medieval pigment that comes from the earth and aspires to heaven, like red ochre or Titian orange?
The color of happiness, I would venture.
Tuesday, February 7, 2012
Another Mission
And then of course sometimes my mission is just to enjoy the mission.
Quests needn't be more complicated than that.
image: Christie B. Cochrell, Mission San Luis Rey de Francia
Monday, February 6, 2012
Missions and Quests
All my conscious life (since I ran off one Saturday morning in childhood in instinctive response to the bell of the ice-cream cart on a distant neighborhood street) I have felt the irresistible urge of quests—going in search of essential missing parts of myself, my story, in far-off places.
Since that first occasion, the objects of my quests have changed, but I have been continually roaming, like Tennyson’s wistful Ulysses, with a hungry heart—falling in love with distant things and places.
It’s all to do with longing and belonging. Things that belong to me, in some mysterious primordial or premonitory way, that I long to have back and must go out in search of.
This quote from Dewey tells it perfectly:
The epidermis is only in the most superficial way an indication of where an organism ends and its environment begins. There are things inside the body that are foreign to it, and there are things outside of it that belong to it de jure, if not de facto; that must, that is, be taken possession of if life is to continue.
(John Dewey, Art as Experience)
Often, I’ve learned, the going is itself your reward, more than the external object that set it off—which sometimes isn’t obtained after all. You don’t always come out where you expected or wanted—at times indeed far from it; but if you let the journey take you, as it will, often as not you end with something more genuinely yours than if everything had gone accordingly to plan. The Venice you find under a freak snowstorm is more miraculous than that in the glossy travel brochures. And if Venice is full, completo, and you have to go perhaps to Ferrara instead . . . Who has after all been to Ferrara besides you? What of the blue bottle you find in a window there, or the castle of the Medicis showing itself for a moment through a sudden opening in a red brick wall?
Of course the real desire wasn’t the ice-cream itself, to have ice-cream, but in the almost gypsy travels of the cart down neighboring but namelessly foreign streets where I’d never been before—oh maybe in the car, passing, passively, but never by myself and of my own volition (which was the strangest thing of all about that day, to find that in myself, that waywardness, the child who had always been unquestioningly obedient), on an otherwise ordinary Saturday morning while my father was shaving as usual in the confines of the little back bathroom and my mother was at the grocery store or delivering altar flowers or someplace, ordinary too.
I went off then just as unquestioningly to give myself up to the urgent dangerous promise of the bell, the unbearable mysteries of dry-ice, magically smoking, the intricacies of ice crystal formations, like stalactites in a cavern, aching cold in summer, hoary as Merlin, hoar-frosted—oh, but why bother explaining? As I didn’t, however much trouble I was in. It was, simply, forever, irresistible.
image: Christie B. Cochrell, San Juan Capistrano Mission
Sunday, February 5, 2012
Saturday, February 4, 2012
Days of Sun
We've been without rain this winter, which is pleasant for the time being, but more than worrisome for the year ahead.
They say that worrying will change nothing, that we should seize the moment—so I'll try not to feel so guilty at enjoying every minute of sun I can beg, borrow, or steal.
image: Christie B. Cochrell, Pillows, Asilomar
Friday, February 3, 2012
Friday Calm
The calm before the storm, or after. The calm despite the storm.
That is the San Andreas Fault in the background, behind the adobe arcade of the San Juan Bautista Mission (the mission in Hitchcock's Vertigo). The source—and evidence—of so many earthquakes, yet mostly a calm stretch of valley planted with artichokes, misted in blue.
Wednesday, February 1, 2012
Smile for the Day
I am completely charmed by this homely poem of Pablo Neruda's—
Ode to My Socks
Mara Mori brought me
a pair of socks
which she knitted herself
with her sheepherder's hands,
two socks as soft as rabbits.
I slipped my feet into them
as if they were two cases
knitted with threads of twilight and goatskin,
Violent socks,
my feet were two fish made of wool,
two long sharks
sea blue, shot through
by one golden thread,
two immense blackbirds,
two cannons,
my feet were honored in this way
by these heavenly socks.
They were so handsome for the first time
my feet seemed to me unacceptable
like two decrepit firemen,
firemen unworthy of that woven fire,
of those glowing socks.
Nevertheless, I resisted the sharp temptation
to save them somewhere as schoolboys
keep fireflies,
as learned men collect
sacred texts,
I resisted the mad impulse to put them
in a golden cage and each day give them
birdseed and pieces of pink melon.
Like explorers in the jungle
who hand over the very rare green deer
to the spit and eat it with remorse,
I stretched out my feet and pulled on
the magnificent socks and then my shoes.
The moral of my ode is this:
beauty is twice beauty
and what is good is doubly good
when it is a matter of two socks
made of wool in winter.
a pair of socks
which she knitted herself
with her sheepherder's hands,
two socks as soft as rabbits.
I slipped my feet into them
as if they were two cases
knitted with threads of twilight and goatskin,
Violent socks,
my feet were two fish made of wool,
two long sharks
sea blue, shot through
by one golden thread,
two immense blackbirds,
two cannons,
my feet were honored in this way
by these heavenly socks.
They were so handsome for the first time
my feet seemed to me unacceptable
like two decrepit firemen,
firemen unworthy of that woven fire,
of those glowing socks.
Nevertheless, I resisted the sharp temptation
to save them somewhere as schoolboys
keep fireflies,
as learned men collect
sacred texts,
I resisted the mad impulse to put them
in a golden cage and each day give them
birdseed and pieces of pink melon.
Like explorers in the jungle
who hand over the very rare green deer
to the spit and eat it with remorse,
I stretched out my feet and pulled on
the magnificent socks and then my shoes.
The moral of my ode is this:
beauty is twice beauty
and what is good is doubly good
when it is a matter of two socks
made of wool in winter.
—Pablo Neruda, translated by Robert Bly
image: drei Strümpfe auf der Leine, Anah from New York
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